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Stormy and Me

4/29/2018

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Stephanie Clifford, aka Stormy Daniels
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Me (photo by Marcy Maloy)
I’m one degree of separation from Stormy Daniels.
 
How can this be?  
 
I live in a sleepy beach town hundreds of miles from Los Angeles.  I’m not involved with triple XXX rated
films, and I absolutely don’t compete in fancy pants horse shows.  (Until about eight weeks ago, Daniels had
managed to seamlessly blend these two disparate lives—the former in California, the latter in Texas—together.)  
 
Also, I’d never heard of Daniels’ uber-confident attorney Michael Avenatti, who’s as comfortable in a television
studio as in a courtroom.  And, he does a lot more than represent celebrities: last year, Avenatti was a lead attorney
in a high-profile lawsuit against Kimberly-Clark, and scored a whopping $454 million verdict for his clients.  
  
But I am friends with Lois Gibson.
 
For those not up on news of the day, Gibson is a seasoned forensic artist whose work is so remarkable that she has been listed for years in Guinness World Records as The World’s Most Successful Forensic Artist.  Indeed, Gibson’s drawings have helped catch more than 1,250 perps—and counting.
 
Unlike cop sketchers of yesteryear, who instructed shell-shocked victims to pick out chins, noses and other facial features from a book, then superimposed those characteristics onto a blank face, Gibson goes deeper.  
 
With her portable easel and a bright light shining above that stand, Gibson takes about an hour to complete one sketch, working with charcoals, pastels and chalk.  She also uses the same kind of durable paper that sidewalk artists prefer because it holds a lot of color, and can handle a lot of erasure marks, all without fading. 
 
But Gibson’s methods are mostly different because of her interview style.
 
Somehow, she is able to gently draw victims out, getting them to relive their horrific experiences in a safe place.  Maybe it’s because Gibson, too, has been a crime victim (in her 20s, she was assaulted by a stranger), so understands how to communicate with those she interviews. 
 
“I know how to unblock memories,” Gibson once told me.  “You’ve got to be really nice and happy and make the victim laugh.  I’m really good at that.  I make them feel better.  I tell them to relax.  It’s hypnosis without labeling it that.”  In addition, Gibson is hyper-aware of unspoken boundaries—it’s why she puts her easel between herself and the victim, and also makes sure she sits at least an arm’s distance away.
   
Last month, Gibson sketched the face of the man whom Stormy Daniels said threatened her in Las Vegas seven years ago.  The chilling incident occurred in broad daylight; Daniels’ baby daughter was strapped in her car seat a few feet away.  The reward to catch the thug stands at $131,000, and may go up.  
 
I knew nothing about Gibson and Daniels working together until Michael Avenatti posted a photo on Twitter.  In the picture, Gibson is at her easel, the light above the drawing, and Daniels (who Gibson calls Stephanie Clifford, Daniels’ legal name) is facing her. 
 
I sat up straight, then did a double-take in front of my laptop. 
 
“Wait, wait, WAIT,”  I said out loud. “That’s Lois.  I know her.  She’s my friend—and she’s with Stormy Daniels.” 
 
We met about 20 years ago, when I had another life in Southern California. 
 
I was a producer for the TV show Unsolved Mysteries, and one of my jobs was finding stories.  Facebook and Twitter didn’t exist and Google was just a few years old.  So I got leads by combing through reams of letters from viewers; nurturing my cop and reporter contacts, and reading true crime stories.  One day, I saw an article about Gibson, and cold called her. 
 
We worked for months on a segment, then became friends.  We even vacationed together on the Gulf Coast near Galveston, Gibson with her teenage daughter and me with my four-year-old. She did a pencil portrait of my daughter then, and I framed it.    
 
I’m hoping that Gibson’s sketch will be the lynchpin that nabs the man who threatened Daniels. 
 
Numbers don’t lie, and given Gibson’s astonishing record, I predict an arrest sooner than later.  For those wondering why Gibson hasn’t publicly talked about the drawing, she recently posted that expressing political views on social media is not conducive to her mental health, and as a forensic artist, “I guard my mental health.”  
 
But Gibson is passionate when it comes to promoting her profession.  To this end, she has done many other television interviews about her work, and also teaches a college level course for those interested in embarking on the same career.  
Gibson believes, as I do, that she has been given a special gift to catch, and help put away, the monsters of the world. 
 
I am honored to call her my friend.       
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Lois Gibson and Stephanie Clifford
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The Ice Plant Cometh

4/15/2018

22 Comments

 
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I’ve been transplanting succulents. 
 
To be more precise, cuttings of ice plant—a ground cover so resilient that it’s used to landscape nearly every freeway in Southern California. 
 
And, thanks to all of this digging and watering and messing around in the dirt, I now understand why millions of people are hooked on gardening.    
 
First, though, it’s important to note that working the land, no matter how minor, isn’t my thing.  I’d rather binge watch an HBO series; bake a carrot cake, or check out a thrift store. 
 
I’m doing this project because it’s necessary.
 
It began with a wild rose bush that had grown so bushy and unwieldy that it had to be extricated from the long fence which separates my back yard from the street.  Some wood in the fence also needed replacing, so a few new boards and a few coats of stain were also part of the sprucing up.  The folks I hired got rid of the thorny tangle of shrubbery, and fixed the fence, too.  They did a great job.  But to do so, they took out several feet of ice plant.  
 
What was left behind was a large expanse of barren, mostly sandy soil.  And, thanks to the wonderful rains we’ve been having, the latter needed to be filled in to prevent mini-mudslides cascading into the street. 
 
Given that there’s already a blanket of ice plant in the area a few feet below the fence, sticking in new cuttings from this existing field was the best way to keep this from happening.   
 
I figured that I’d need a few dozen of these nearly-impossible-to-kill plants to complete the task. 
 
But as my work progressed, I saw that at least 100 of these babies were going to be needed to completely fill in the area.  Because I also know that this can’t be done in a day, or let’s face it, even in a month, I’m taking it 15 or so cuttings at a time.
 
The job begins with snipping the tops off of established ice plants, then putting those fat and strong stems in a couple of vases. After I’ve looked at them for a few days, I decide that it’s time to give them the dirt they deserve. 
 
So I fill our big plastic watering can; grab a rusty spade, and head to the sand. I dig one hole for each stem, and pour water into the empty space.  Next I place the cutting in the opening, making sure to gently cover and pat the area around it with the dirt I’ve just dug up.  Finally, I water again—in theory, this ensures that every baby ice plant is off to a great start.
 
I’ve transplanted about 50 cuttings so far, and since all are doing well, I guess I’m doing something right.  And, it makes me smile to see these positive results immediately. That’s something that never happens after turning in an article to a picky editor, or researching a true crime story for a TV show that won’t air until months later. 
 
Besides getting extra exercise and sunlight, there are other unexpected advantages to digging in the dirt—and they’re significant ones.     
 
A 2010 Dutch study found that those who spent a half hour gardening were happier than the control group that read books inside for the same amount of time.  More important, these gardening folks had measurably lower cortisol levels: the hormone that, when elevated, has been linked to learning disabilities, heart disease and obesity. 
 
Other studies have concluded that regular gardening cuts the risk of heart attack and stroke; strengthens dexterity, and might improve our immune system.   
 
For me, the most important surprise is the research associated with the prevention of Alzheimer’s disease.  (My father died from this literally mind numbing illness, meaning I could be susceptible to it as well.  So, anything that can hasten or even halt this horrible affliction holds my interest.) 
 
A particular study that caught my eye was a long term one that tracked the lifestyles of about 3,000 seniors over the course of 16 years.  After analyzing the data, scientists concluded that daily gardening was the single largest risk reduction for dementia. More precisely, research here indicated that gardening every day cut the incidence of Alzheimer’s by 36 percent.  Another study found the number to be an astounding 47 percent. 
 
Thinking about it, this makes a lot of sense since gardening involves so many brain functions, including problem solving, learning and dexterity.
 
Baking a cake can wait.  I’m going outside, into the dirt.      
22 Comments

    Hilary Roberts Grant

    Journalist, editor, filmmaker, foodie--and a clown! 
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